Difference between revisions of "License:LAL-1.3"

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m (David Hedlund moved page License:FAL1.3 to License:FAL-1.3: SPDX-like short identifier)
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{{license
 
{{license
|Name=The Free Art License 1.3
+
|Name=Free Art License v1.3
|URL= http://artlibre.org/licence/lal/en
+
|URL= http://artlibre.org/lal/en
 
|Comment=
 
|Comment=
 +
 +
This is a free and copyleft license meant for artistic works. It
 +
permits commercial distribution, as any free license must. It is a
 +
copyleft license because any larger work that includes part of the
 +
work you received must be released, as a whole, either under the same
 +
license or under a similar license that meets stated criteria. Please
 +
don't use it for software or documentation, since it is incompatible
 +
with the GNU GPL and with the GNU FDL.
 +
 
|Full text=
 
|Full text=
  
Line 65: Line 74:
 
interpretations, copies or reproductions.
 
interpretations, copies or reproductions.
  
“Copy” means any reproduction of an original as defined by this license.
+
“Copy” means any reproduction of an original as defined by this
 +
license.
  
1. OBJECT  
+
1. OBJECT
  
 
The aim of this license is to define the conditions under which one
 
The aim of this license is to define the conditions under which one
 
can use this work freely.
 
can use this work freely.
  
2. SCOPE  
+
2. SCOPE
  
 
This work is subject to copyright law. Through this license its author
 
This work is subject to copyright law. Through this license its author
 
specifies the extent to which you can copy, distribute, and modify it.
 
specifies the extent to which you can copy, distribute, and modify it.
  
2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS)  
+
2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS)
  
 
You have the right to copy this work for yourself, your friends or any
 
You have the right to copy this work for yourself, your friends or any
 
other person, whatever the technique used.
 
other person, whatever the technique used.
  
2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC  
+
2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC
  
 
You have the right to distribute copies of this work; whether modified
 
You have the right to distribute copies of this work; whether modified
Line 91: Line 101:
 
originals, including yours if you have modified the work, specify to
 
originals, including yours if you have modified the work, specify to
 
the recipient where to access the originals (either initial or
 
the recipient where to access the originals (either initial or
subsequent).  The authors of the originals may, if they wish to, give
+
subsequent).
you the right to distribute the originals under the same conditions as
 
the copies.
 
  
2.3 FREEDOM TO MODIFY  
+
The authors of the originals may, if they wish to, give you the right
 +
to distribute the originals under the same conditions as the copies.
 +
 
 +
2.3 FREEDOM TO MODIFY
  
 
You have the right to modify copies of the originals (whether initial
 
You have the right to modify copies of the originals (whether initial
Line 102: Line 113:
 
indicate that the work has been modified and, if it is possible, what
 
indicate that the work has been modified and, if it is possible, what
 
kind of modifications have been made; distribute the subsequent work
 
kind of modifications have been made; distribute the subsequent work
under the same license or any compatible license. The author(s) of
+
under the same license or any compatible license.
the original work may give you the right to modify it under the same
+
 
conditions as the copies.
+
The author(s) of the original work may give you the right to modify it
 +
under the same conditions as the copies.
  
 
3. RELATED RIGHTS
 
3. RELATED RIGHTS
  
 
Activities giving rise to author’s rights and related rights shall not
 
Activities giving rise to author’s rights and related rights shall not
challenge the rights granted by this license. For example, this is
+
challenge the rights granted by this license.
the reason why performances must be subject to the same license or a
+
 
compatible license. Similarly, integrating the work in a database, a
+
For example, this is the reason why performances must be subject to
compilation or an anthology shall not prevent anyone from using the
+
the same license or a compatible license. Similarly, integrating the
work under the same conditions as those defined in this license.
+
work in a database, a compilation or an anthology shall not prevent
 +
anyone from using the work under the same conditions as those defined
 +
in this license.
  
 
4. INCORPORATION OF THE WORK
 
4. INCORPORATION OF THE WORK
Line 119: Line 133:
 
Incorporating this work into a larger work that is not subject to the
 
Incorporating this work into a larger work that is not subject to the
 
Free Art License shall not challenge the rights granted by this
 
Free Art License shall not challenge the rights granted by this
license. If the work can no longer be accessed apart from the larger
+
license.
work in which it is incorporated, then incorporation shall only be
+
 
allowed under the condition that the larger work is subject either to
+
If the work can no longer be accessed apart from the larger work in
the Free Art License or a compatible license.
+
which it is incorporated, then incorporation shall only be allowed
 +
under the condition that the larger work is subject either to the Free
 +
Art License or a compatible license.
  
 
5. COMPATIBILITY
 
5. COMPATIBILITY
Line 158: Line 174:
 
copyright which is attached to the work. If you do not respect the
 
copyright which is attached to the work. If you do not respect the
 
terms of this license, you automatically lose the rights that it
 
terms of this license, you automatically lose the rights that it
confers. If the legal status or legislation to which you are subject
+
confers.
makes it impossible for you to respect the terms of this license, you
+
 
may not make use of the rights which it confers.
+
If the legal status or legislation to which you are subject makes it
 +
impossible for you to respect the terms of this license, you may not
 +
make use of the rights which it confers.
  
 
9. VARIOUS VERSIONS OF THE LICENSE
 
9. VARIOUS VERSIONS OF THE LICENSE
Line 166: Line 184:
 
This license may undergo periodic modifications to incorporate
 
This license may undergo periodic modifications to incorporate
 
improvements by its authors (instigators of the “Copyleft Attitude”
 
improvements by its authors (instigators of the “Copyleft Attitude”
movement) by way of new, numbered versions. You will always have the
+
movement) by way of new, numbered versions.
choice of accepting the terms contained in the version under which the
+
 
copy of the work was distributed to you, or alternatively, to use the
+
You will always have the choice of accepting the terms contained in
provisions of one of the subsequent versions.
+
the version under which the copy of the work was distributed to you,
 +
or alternatively, to use the provisions of one of the subsequent
 +
versions.
  
 
10. SUB-LICENSING
 
10. SUB-LICENSING
Line 184: Line 204:
 
USER GUIDE
 
USER GUIDE
  
- How to use the Free Art License?
+
- How to use the Free Art License?
  
 
To benefit from the Free Art License, you only need to mention the
 
To benefit from the Free Art License, you only need to mention the
following elements on your work:  
+
following elements on your work:
  
[Name of the author, title, date of the work. When applicable, names
+
  [Name of the author, title, date of the work. When applicable, names
of authors of the common work and, if possible, where to find the
+
  of authors of the common work and, if possible, where to find the
originals].
+
  originals].
  
 
Copyleft: This is a free work, you can copy, distribute, and modify it
 
Copyleft: This is a free work, you can copy, distribute, and modify it
Line 199: Line 219:
 
- Why to use the Free Art License?
 
- Why to use the Free Art License?
  
1.To give the greatest number of people access to your work.
+
  1.To give the greatest number of people access to your work.
 +
 
 +
  2.To allow it to be distributed freely.
  
2.To allow it to be distributed freely.
+
  3.To allow it to evolve by allowing its copy, distribution, and
 +
    transformation by others.
  
3.To allow it to evolve by allowing its copy, distribution, and
+
  4.So that you benefit from the resources of a work when it is under
transformation by others.
+
    the Free Art License: to be able to copy, distribute or transform
 +
    it freely.
  
4.So that you benefit from the resources of a work when it is under
+
  5.But also, because the Free Art License offers a legal framework to
the Free Art License: to be able to copy, distribute or transform it
+
    disallow any misappropriation. It is forbidden to take hold of
freely.
+
    your work and bypass the creative process for one's exclusive
 +
    possession.
  
5.But also, because the Free Art License offers a legal framework to
 
disallow any misappropriation. It is forbidden to take hold of your
 
work and bypass the creative process for one's exclusive possession.
 
  
 
- When to use the Free Art License?
 
- When to use the Free Art License?
Line 245: Line 267:
 
     Translation : Jonathan Clarke, Benjamin Jean, Griselda Jung, Fanny
 
     Translation : Jonathan Clarke, Benjamin Jean, Griselda Jung, Fanny
 
     Mourguet, Antoine Pitrou.  Thanks to framalang.org
 
     Mourguet, Antoine Pitrou.  Thanks to framalang.org
 
 
  
 
}}
 
}}

Revision as of 02:36, 15 August 2018

Name Free Art License v1.3
URL http://artlibre.org/lal/en
Comment This is a free and copyleft license meant for artistic works. It

permits commercial distribution, as any free license must. It is a copyleft license because any larger work that includes part of the work you received must be released, as a whole, either under the same license or under a similar license that meets stated criteria. Please don't use it for software or documentation, since it is incompatible with the GNU GPL and with the GNU FDL.

License text

Free Art License 1.3


[ Copyleft Attitude ]

Free Art License 1.3 (FAL 1.3)

Preamble

The Free Art License grants the right to freely copy, distribute, and
transform creative works without infringing the author's rights.

The Free Art License recognizes and protects these rights. Their
implementation has been reformulated in order to allow everyone to use
creations of the human mind in a creative manner, regardless of their
types and ways of expression.

While the public's access to creations of the human mind usually is
restricted by the implementation of copyright law, it is favoured by
the Free Art License. This license intends to allow the use of a
work’s resources; to establish new conditions for creating in order to
increase creation opportunities. The Free Art License grants the right
to use a work, and acknowledges the right holder’s and the user’s
rights and responsibility.

The invention and development of digital technologies, Internet and
Free Software have changed creation methods: creations of the human
mind can obviously be distributed, exchanged, and transformed. They
allow to produce common works to which everyone can contribute to the
benefit of all.

The main rationale for this Free Art License is to promote and protect
these creations of the human mind according to the principles of
copyleft: freedom to use, copy, distribute, transform, and prohibition
of exclusive appropriation.

Definitions

“work” either means the initial work, the subsequent works or the
common work as defined hereafter:

“common work” means a work composed of the initial work and all
subsequent contributions to it (originals and copies). The initial
author is the one who, by choosing this license, defines the
conditions under which contributions are made.

“Initial work” means the work created by the initiator of the common
work (as defined above), the copies of which can be modified by
whoever wants to

“Subsequent works” means the contributions made by authors who
participate in the evolution of the common work by exercising the
rights to reproduce, distribute, and modify that are granted by the
license.

“Originals” (sources or resources of the work) means all copies of
either the initial work or any subsequent work mentioning a date and
used by their author(s) as references for any subsequent updates,
interpretations, copies or reproductions.

“Copy” means any reproduction of an original as defined by this
license.

1. OBJECT

The aim of this license is to define the conditions under which one
can use this work freely.

2. SCOPE

This work is subject to copyright law. Through this license its author
specifies the extent to which you can copy, distribute, and modify it.

2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS)

You have the right to copy this work for yourself, your friends or any
other person, whatever the technique used.

2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC

You have the right to distribute copies of this work; whether modified
or not, whatever the medium and the place, with or without any charge,
provided that you: attach this license without any modification to the
copies of this work or indicate precisely where the license can be
found, specify to the recipient the names of the author(s) of the
originals, including yours if you have modified the work, specify to
the recipient where to access the originals (either initial or
subsequent).

The authors of the originals may, if they wish to, give you the right
to distribute the originals under the same conditions as the copies.

2.3 FREEDOM TO MODIFY

You have the right to modify copies of the originals (whether initial
or subsequent) provided you comply with the following conditions: all
conditions in article 2.2 above, if you distribute modified copies;
indicate that the work has been modified and, if it is possible, what
kind of modifications have been made; distribute the subsequent work
under the same license or any compatible license.

The author(s) of the original work may give you the right to modify it
under the same conditions as the copies.

3. RELATED RIGHTS

Activities giving rise to author’s rights and related rights shall not
challenge the rights granted by this license.

For example, this is the reason why performances must be subject to
the same license or a compatible license. Similarly, integrating the
work in a database, a compilation or an anthology shall not prevent
anyone from using the work under the same conditions as those defined
in this license.

4. INCORPORATION OF THE WORK

Incorporating this work into a larger work that is not subject to the
Free Art License shall not challenge the rights granted by this
license.

If the work can no longer be accessed apart from the larger work in
which it is incorporated, then incorporation shall only be allowed
under the condition that the larger work is subject either to the Free
Art License or a compatible license.

5. COMPATIBILITY

A license is compatible with the Free Art License provided: it gives
the right to copy, distribute, and modify copies of the work including
for commercial purposes and without any other restrictions than those
required by the respect of the other compatibility criteria; it
ensures proper attribution of the work to its authors and access to
previous versions of the work when possible; it recognizes the Free
Art License as compatible (reciprocity); it requires that changes made
to the work be subject to the same license or to a license which also
meets these compatibility criteria.

6. YOUR INTELLECTUAL RIGHTS

This license does not aim at denying your author's rights in your
contribution or any related right. By choosing to contribute to the
development of this common work, you only agree to grant others the
same rights with regard to your contribution as those you were granted
by this license. Conferring these rights does not mean you have to
give up your intellectual rights.

7. YOUR RESPONSIBILITIES

The freedom to use the work as defined by the Free Art License (right
to copy, distribute, modify) implies that everyone is responsible for
their own actions.

8. DURATION OF THE LICENSE

This license takes effect as of your acceptance of its terms. The act
of copying, distributing, or modifying the work constitutes a tacit
agreement. This license will remain in effect for as long as the
copyright which is attached to the work. If you do not respect the
terms of this license, you automatically lose the rights that it
confers.

If the legal status or legislation to which you are subject makes it
impossible for you to respect the terms of this license, you may not
make use of the rights which it confers.

9. VARIOUS VERSIONS OF THE LICENSE

This license may undergo periodic modifications to incorporate
improvements by its authors (instigators of the “Copyleft Attitude”
movement) by way of new, numbered versions.

You will always have the choice of accepting the terms contained in
the version under which the copy of the work was distributed to you,
or alternatively, to use the provisions of one of the subsequent
versions.

10. SUB-LICENSING

Sub-licenses are not authorized by this license. Any person wishing to
make use of the rights that it confers will be directly bound to the
authors of the common work.

11. LEGAL FRAMEWORK

This license is written with respect to both French law and the Berne
Convention for the Protection of Literary and Artistic Works.

USER GUIDE

- How to use the Free Art License?

To benefit from the Free Art License, you only need to mention the
following elements on your work:

  [Name of the author, title, date of the work. When applicable, names
  of authors of the common work and, if possible, where to find the
  originals].

Copyleft: This is a free work, you can copy, distribute, and modify it
under the terms of the Free Art License
http://artlibre.org/licence/lal/en/

- Why to use the Free Art License?

  1.To give the greatest number of people access to your work.

  2.To allow it to be distributed freely.

  3.To allow it to evolve by allowing its copy, distribution, and
    transformation by others.

  4.So that you benefit from the resources of a work when it is under
    the Free Art License: to be able to copy, distribute or transform
    it freely.

  5.But also, because the Free Art License offers a legal framework to
    disallow any misappropriation. It is forbidden to take hold of
    your work and bypass the creative process for one's exclusive
    possession.


- When to use the Free Art License?

Any time you want to benefit and make others benefit from the right to
copy, distribute and transform creative works without any exclusive
appropriation, you should use the Free Art License. You can for
example use it for scientific, artistic or educational projects.

- What kinds of works can be subject to the Free Art License?

The Free Art License can be applied to digital as well as physical
works.  You can choose to apply the Free Art License on any text,
picture, sound, gesture, or whatever sort of stuff on which you have
sufficient author's rights.

- Historical background of this license:

It is the result of observing, using and creating digital
technologies, free software, the Internet and art. It arose from the
“Copyleft Attitude” meetings which took place in Paris in 2000. For
the first time, these meetings brought together members of the Free
Software community, artists, and members of the art world. The goal
was to adapt the principles of Copyleft and free software to all sorts
of creations. http://www.artlibre.org

Copyleft Attitude, 2007.

You can make reproductions and distribute this license verbatim
(without any changes).

    Translation : Jonathan Clarke, Benjamin Jean, Griselda Jung, Fanny
    Mourguet, Antoine Pitrou.  Thanks to framalang.org 





Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the page “GNU Free Documentation License”.

The copyright and license notices on this page only apply to the text on this page. Any software or copyright-licenses or other similar notices described in this text has its own copyright notice and license, which can usually be found in the distribution or license text itself.